Steps to reproduce:
1. Add clip to clip editor
2. Open the tracking settings & tracking settings extra panels
To fix this the sub panel is only drawn if a track is active.
The main panel will exit early and display a "No active track" message.
This is consistent with other panels in the clip editor.
Reviewed By: HooglyBoogly
Differential Revision: https://developer.blender.org/D9727
This value really is the opacity, or the alpha, since a value of 1.0 means
that the image is fully visible, not invisible like "full transparency"
would suggest. Mistake in rBea4d28aea0343a.
Differential Revision: https://developer.blender.org/D9920
Having a centeral place to find a list of all library overrides should be
useful for managing production scenes where library overrides are used a lot.
This change adds the individually overridden properties of a data-block under
the data-block itself. Just how we show modifiers, constraints or pose channels
there. This way we can also expose library override operations/options better
in future.
There's also a filter option for the library overrides now, so they can be
hidden. It is only available in the View Layer display mode though, like the
other filter options.
One internal change this has to do is adding more informative return values to
undo pushes and the library override functions called by it. That way we can
send a notifier when library overrides change for the Outliner to know when to
rebuild the tree.
Differential Revision: https://developer.blender.org/D7631
Reviewed by: Andy Goralczyk, Bastien Montagne, William Reynish
In some operators that previously allowed duplicating the selected data-block,
the operator would not be available now. 2250b5cefe split the "new" operators
into "new" and "delete" to allow clearly differentiating between the two. But I
apparently didn't amend all affected data-block selectors to use the added
"duplicate" operators.
I went over all operators that were split now and made sure all affected
data-block selectors are updated.
Approximately 138 changes in the spelling of compound words
and proper names like "Light Probe", "Shrink/Fatten", "Face Map".
In many cases, hyphens were used where they aren't correct, like
"re-fit". Other common changes include:
- "Datablock" -> "data-block"
- "Floating point" -> "floating-point"
- "Ngons" -> "n-gons"
These changes help give the language used in the interface
a consistent, more professional feel.
Differential Revision: https://developer.blender.org/D9923
Approximately 195 changes of capitalization to conform to MLA title style.
UI labels and property names should use MLA title case, while descriptions
should be capitalized like regular prose, generally with only the start of
a sentence capitalized.
Differential Revision: https://developer.blender.org/D9922
Mainly updated the Mantaflow version. It includes the new viscosity solver plugin based on the method from 'Accurate Viscous Free Surfaces for Buckling, Coiling, and Rotating Liquids' (Batty & Bridson).
In the UI, this update adds a new 'Viscosity' section to the fluid modifier UI (liquid domains only). For now, there is a single 'strength' value to control the viscosity of liquids.
This adds a popover to the properties editor. Currently the only setting
is for controlling outliner to properties syncing.
Because we cannot define a perfect heuristic to determine when
properties editors should change tabs based on outliner icon selection,
we need an option to enable or disable this behavior per properties
editor.
There are 3 options for controlling the syncing. Auto uses the heuristic
to only allow tab switching when a properties editor and outliner share
a border. On and off enable and disable syncing respectively.
Differential Revision: https://developer.blender.org/D9758
Normally, pure text buttons have no padding at their edges so they
align with edges of buttons, see D9058. However, in several cases
there are labels aligned to the right side of a list widget row,
so they're missing padding against the right edge.
The fix is to use emboss = 'NONE' for such labels, which changes
the drawing style, adding padding on the right edge. (Normally so
labels aligned with the text from non-embossed buttons). This is
not necessarily intended, but it works properly.
For more information, see the revision.
Differential Revision: https://developer.blender.org/D9874
This value was meant to be used for keeping images that are slowest to
render in cache. Method of measurement was flawed, because it doesn't
take UI overhead into consideration.
Cache panel is to be removed because users should not have to tweak
settings like this. It is not useful for development either, therefore
it is removed completely.
Previously, the Annotation panels were a bit buggy in the movie clip editor.
This commit fixes the issue of the panel in the sidebar would disappear
when selecting "Tracks" if no tracks were added to the clip.
To solve this issue the user if given a label text saying "No annotation source"
This commit also removes some grease pencil operators from the toolbar
that do not work with the new annotation system.
This commit also moves the data source choice from the toolbar to the sidebar.
This is needed to migrate the current toolbar to the new tool system
(see T83612)
Some old invalid code was also removed.
Reviewed By: #grease_pencil, antoniov
Differential Revision: https://developer.blender.org/D9729
This bug was caused by making it so that non-embossed modifier icon
buttons could become an operator button and retain their red highlight
for disabled modifiers. The icon button needs emboss turned off, but
in earlier versions of Blender, `UI_EMBOSS_NONE` would be overridden
by animation or red alert states.
Instead of abusing "NONE" to mean "none unless there is animation or
red alert", this commit adds a new emboss flag for that situation,
`UI_EMBOSS_NONE_OR_STATUS`, which uses no emboss unless there is an
animation state, or another status. There are only a few situations
where this is necessary, so the change isn't too big.
Differential Revision: https://developer.blender.org/D9902
The previous design is rather old and has a couple of problems:
* Scalability: The current solution of adding little icon buttons next to the
data-block name field doesn't scale well. It only works if there's a small
number of operations. We need to be able to place more items there for better
data-block management. Especially with the introduction of library overrides.
* Discoverability: It's not obvious what some of the icons do. They appear and
disappear, but it's not obvious why some are available at times and others
not.
* Unclear Status: Currently their library status (linked, indirectly linked,
broken link, library override) isn't really clear.
* Unusual behavior: Some of the icon buttons allow Shift or Ctrl clicking to
invoke alternative behaviors. This is not a usual pattern in Blender.
This patch does the following changes:
* Adds a menu to the right of the name button to access all kinds of operations
(create, delete, unlink, user management, library overrides, etc).
* Make good use of the "disabled hint" for tooltips, to explain why buttons are
disabled. The UI team wants to establish this as a good practise.
* Use superimposed icons for duplicate and unlink, rather than extra buttons
(uses less space, looks less distracting and is a nice + consistent design
language).
* Remove fake user and user count button, they are available from the menu now.
* Support tooltips for superimposed icons (committed mouse hover feedback to
master already).
* Slightly increase size of the name button - it was already a bit small
before, and the move from real buttons to superimposed icons reduces usable
space for the name itself.
* More clearly differentiate between duplicate and creating a new data-block.
The latter is only available in the menu.
* Display library status icon on the left (linked, missing library, overridden,
asset)
* Disables "Make Single User" button - in review we weren't sure if there are
good use-cases for it, so better to see if we can remove it.
Note that I do expect some aspects of this design to change still. I think some
changes are problematic, but others disagreed. I will open a feedback thread on
devtalk to see what others think.
Differential Revision: https://developer.blender.org/D8554
Reviewed by: Bastien Montagne
Design discussed and agreed on with the UI team, also see T79959.
Expand abbreviations for words like "Bright" (instead of "Brightness"),
"Premul", "Lib", "Dir", etc.
Differential Revision: https://developer.blender.org/D9862
This commit resolves problem introduced in e1665c3d31 - it was
difficult to import media at their original resolution.
This is done by using original resolution as reference for scale.
All crop and strip transform values and their animation is converted
form old files.
To make both workflows easy to use, sequencer tool settings have been
created with preset for preffered scaling method. This setting is in
sequencer timeline header and add image or movie strip operator
properties.
Two new operators have been added:
`sequencer.strip_transform_fit` operator with 3 options: Scale To Fit,
Scale to Fill and Stretch To Fill.
Operator can fail if strip image or video is not loaded currently, this
case should be either sanitized or data loaded on demand.
`sequencer.strip_transform_clear` operator with 4 options:
Clear position, scale, rotation and all (previous 3 options combined).
Reviewed By: sergey, fsiddi
Differential Revision: https://developer.blender.org/D9582
This tool implements smearing for multires displacement over the limit
surface, similar to how smearing for colors and topology slide works.
When used the displacement values of the vertices "slide" over the
topology, creating the effect of smearing the surface detail.
As the brush just modifies displacement values instead of coordinates,
the total displacement of the affected area doesn't change. This means
that this smearing effect can be used multiple times over the same area
without generating any artifacts in the topology.
When the brush is used with the pinch or expand smear modes,
displacement differences are pushed into the same area, creating hard
surface effects without pinching the topology.
As any other brush that relies on the limit surface (like displacement
erasers), this will work better after using apply base.
Reviewed By: sergey, JulienKaspar, dbystedt
Differential Revision: https://developer.blender.org/D9659
This makes it possible to trigger a refresh of the data-block preview,
available next to the preview in the Asset Browser sidebar. The previews get
easily outdated and automatically refreshing it all the time is not an option
because it would be a consistently running, quite expensive process. So a
button to cause a refresh should be reasonable.
This button can also be used to switch back from a custom preview to a
generated one. Although that may not be clear, and we should probably think of
a way to explain that better.
Addresses T82719.
The current layout wasn't great at all, and it was planned to polish this. This
does a first round of improvements, some more tweaking may follow.
* Place name button at the top, with no panel and no leading label.
* Add "Preview" panel, people may not want to see the preview all the time,
it's already visible in the file list.
* Move button to browse for a custom preview to the right of the preview, as
icon-only. We have a similar layout in other places (UI-lists, matcaps).
* Don't make the details panel a sub-panel. Looked weird because the parent
doesn't have a header.
* Add info icon to "No asset selected", looks a bit friendlier.
* Minor cleanups in the UI script.
Based on designs and feedback by William Reynish.
This is something we wanted to support doing. It's confusing if users see the
name but it's always grayed out. So be convenient and avoid the confusion.
Add panels with overlay settings for strips and preview and overlay
enable/disable button.
Entries from the View menus moved to the overlay panels, which will
simplify cluttered View menus.
Additional options have been added:
- Strip Name
- Strip Source(ex. path)
- Strip Duration
So users can now select what info they need to see on the strips. When
No text is displayed, waveforms are drawn in full height.
Reviewed By: ISS, HooglyBoogly, pablovazquez
Differential Revision: https://developer.blender.org/D9751
When in Sequencer/Preview mode, the Sampler was on top, which normally
is the place of Select, and Annotation seems to be after Sampler in the
bottom in the various editors.
Reviewed By: ISS
Differential Revision: https://developer.blender.org/D9821
This introduces the User Interface part of the Asset Browser, based on the
design in T54642.
Additions:
* New Asset Browser (internally a sub-editor of the File Browser).
* Navigation region showing asset categories.
* Main region showing the assets of the selected asset library with previews.
The assets may be stored over multiple .blends in the directory that's
"mounted" as asset library in the Preferences. They will all be shown in this
list.
* Header with an asset library dropdown, allowing to choose the active asset
library to show. Options are the "Current File" as asset library and all
custom libraries.
* Display popover, filter popover and search box (partially dummies, see
T82680).
* Sidebar showing the metadata of the currently active file (name, preview,
description and tags), which can be edited for assets in the "Current File"
asset library. (For others it will reset on reload.)
* The sidebar includes a button to load a custom preview image from a file.
* Make asset files draggable (with preview image).
* If a library with invalid path is selected, a message is drawn in the main
region to help the user understand what's wrong.
* Operators to add and remove asset tags. Exposed in the sidebar.
* "Only Assets" option for Link/Append.
* Internal utilities for asset UI scripts.
For screenshots or demo videos, please see D9725. Or the 2.92 release notes.
Note that there are many things to be tweaked and polished in the Asset Browser
UI still. For example, the filter and display popovers are mostly dummies. See
T82680.
Part of the first Asset Browser milestone. Check the #asset_browser_milestone_1
project milestone on developer.blender.org.
Differential Revision: https://developer.blender.org/D9725
Reviewed by: Brecht Van Lommel, Hans Goudey
One of the core design aspects of the Asset Browser is that users can "mount"
custom asset libraries via the Preferences. Currently an asset library is just
a directory with one or more .blend files in it. We could easily support a
single .blend file as asset library as well (rather than a directory). It's
just disabled currently.
Note that in earlier designs, asset libraries were called repositories.
Idea is simple: In Preferences > File Paths, you can create custom libraries,
by setting a name and selecting a path. The name is ensured to be unique. If
the name or path are empty, the Asset Browser will not show it in the list of
available asset libraries.
The library path is not checked for validity, the Asset Browser will allow
selecting invalid libraries, but show a message instead of the file list, to
help the user understand what's going on.
Of course the actual Asset Browser UI is not part of this commit, it's in one
of the following ones.
{F9497950}
Part of the first Asset Browser milestone. Check the #asset_browser_milestone_1
project milestone on developer.blender.org.
Differential Revision: https://developer.blender.org/D9722
Reviewed by: Brecht Van Lommel, Hans Goudey
The geometry-nodes features no longer depend on the point cloud object.
Therefore the point cloud object, although important in the future, can
be postponed until we have render and edit mode fully working.
This reverts commits:
* ea74ed5a7a.
* dc614c68ef.
In Cycles the volume transmittance is already composited into the color
passes. In Eevee the volume transmittance pass was separate and needed
to be composited in the compositor. This patch adds the volume
transmittance pass direct in the next render passes:
* Diffuse Color
* Specular Color
* Emission
* Environment
This patch includes the removal of the volume transmittance render pass.
It also renames the volume render passes to match Cycles. The setting
themselves aren't unified.
Maniphest Tasks: T81134
Remove 'U.wheellinescroll' preference, currently hidden and unused.
Differential Revision: https://developer.blender.org/D9616
Reviewed by Brecht Van Lommel
This is similar to c4a2067130130d, but applies to the general UI and is only
about single data-blocks. Here there was a similar problem: How can buttons
pass the data they represent to operators? We currently resort to ugly ad-hoc
solutions like `UI_context_active_but_get_tab_ID()`. So the operator would need
to know that it is executed on a tab button that represents a data-block.
A single button can now hand operators a data-block to operate on. The operator
can request it via the "id" context member (`CTX_data_pointer_get_type(C, "id",
&RNA_ID)` in C, `bpy.context.id` in .py).
In this commit, it is already set in the following places:
* Generic RNA button code sets it to the pointed to data-block, if the button
represents a data-block RNA pointer property. (I.e for general data-block
search buttons.)
* Data-block selectors (`templateID`) set it to the currently active data-block.
* The material slot UI-List sets it for each slot to the material it represents.
The button context menu code is modified so its operators use the context set
for the layout of its parent button (i.e. `layout.context_pointer_set()`).
No user visible changes. This new design isn't actually used yet. It will be
soon for asset operators.
Reviewed as part of https://developer.blender.org/D9717.
Reviewed by: Brecht Van Lommel
This adds deformation types to snake hook and the elastic deformation
type. This mode deforms the mesh using a kelvinlet instead of applying
the displacement directly inside the brush radius, which is great for
stylized shapes sketching.
Changes in rake rotation when using elastic are too strong when set
to 1, so I'll add a nicer way to support rake rotations with smoother
transitions in the future.
Reviewed By: sergey, JulienKaspar
Differential Revision: https://developer.blender.org/D9560
Small improvements to the layout of the Tooltips section in Preferences.
Differential Revision: https://developer.blender.org/D9772
Reviewed by Pablo Vazquez
In ad85256e71 the "Show Group Colors" option was changed from a
per-editor option to a user preference. Since so many people wanted to
turn this option off, this makes sense. However, this move caused some
confusion because the option was just gone from the menu.
This commit adds a dummy menu item. It's disabled, and the tooltip
explains that the option can now be found in Preferences.
T83390 was created to track the removal of these hints.
Reviewed by: Severin
Differential Revision: https://developer.blender.org/D9735
Cryptomatte is a standard to efficiently create mattes for compositing. The
renderer outputs the required render passes, which can then be used in the
compositor to create masks for specified objects. Unlike the Material and Object
Index passes, the objects to isolate are selected in compositing, and mattes
will be anti-aliased.
Cryptomatte was already available in Cycles this patch adds it to the EEVEE
render engine. Original specification can be found at
https://raw.githubusercontent.com/Psyop/Cryptomatte/master/specification/IDmattes_poster.pdf
**Accurate mode**
Following Cycles, there are two accuracy modes. The difference between the two
modes is the number of render samples they take into account to create the
render passes. When accurate mode is off the number of levels is used. When
accuracy mode is active, the number of render samples is used.
**Deviation from standard**
Cryptomatte specification is based on a path trace approach where samples and
coverage are calculated at the same time. In EEVEE a sample is an exact match on
top of a prepared depth buffer. Coverage is at that moment always 1. By sampling
multiple times the number of surface hits decides the actual surface coverage
for a matte per pixel.
**Implementation Overview**
When drawing to the cryptomatte GPU buffer the depth of the fragment is matched
to the active depth buffer. The hashes of each cryptomatte layer is written in
the GPU buffer. The exact layout depends on the active cryptomatte layers. The
GPU buffer is downloaded and integrated into an accumulation buffer (stored in
CPU RAM).
The accumulation buffer stores the hashes + weights for a number of levels,
layers per pixel. When a hash already exists the weight will be increased. When
the hash doesn't exists it will be added to the buffer.
After all the samples have been calculated the accumulation buffer is processed.
During this phase the total pixel weights of each layer is mapped to be in a
range between 0 and 1. The hashes are also sorted (highest weight first).
Blender Kernel now has a `BKE_cryptomatte` header that access to common
functions for cryptomatte. This will in the future be used by the API.
* Alpha blended materials aren't supported. Alpha blended materials support in
render passes needs research how to implement it in a maintainable way for any
render pass.
This is a list of tasks that needs to be done for the same release that this
patch lands on (Blender 2.92)
* T82571 Add render tests.
* T82572 Documentation.
* T82573 Store hashes + Object names in the render result header.
* T82574 Use threading to increase performance in accumulation and post
processing.
* T82575 Merge the cycles and EEVEE settings as they are identical.
* T82576 Add RNA to extract the cryptomatte hashes to use in python scripts.
Reviewed By: Clément Foucault
Maniphest Tasks: T81058
Differential Revision: https://developer.blender.org/D9165
This patch adds support for AOVs in EEVEE. AOV Outputs can be defined in the
render pass tab and used in shader materials. Both Object and World based
shaders are supported. The AOV can be previewed in the viewport using the
renderpass selector in the shading popover.
AOV names that conflict with other AOVs are automatically corrected. AOV
conflicts with render passes get a warning icon. The reason behind this is that
changing render engines/passes can change the conflict, but you might not notice
it. Changing this automatically would also make the materials incorrect, so best
to leave this to the user.
**Implementation**
The patch adds a copies the AOV structures of Cycles into Blender. The goal is
that the Cycles will use Blenders AOV defintions. In the Blender kernel
(`layer.c`) the logic of these structures are implemented.
The GLSL shader of any GPUMaterial can hold multiple outputs (the main output
and the AOV outputs) based on the renderPassUBO the right output is selected.
This selection uses an hash that encodes the AOV structure. The full AOV needed
to be encoded when actually drawing the material pass as the AOV type changes
the behavior of the AOV. This isn't known yet when the GLSL is compiled.
**Future Developments**
* The AOV definitions in the render layer panel isn't shared with Cycles.
Cycles should be migrated to use the same viewlayer aovs. During a previous
attempt this failed as the AOV validation in cycles and in Blender have
implementation differences what made it crash when an aov name was invalid.
This could be fixed by extending the external render engine API.
* Add support to Cycles to render AOVs in the 3d viewport.
* Use a drop down list for selecting AOVs in the AOV Output node.
* Give user feedback when multiple AOV output nodes with the same AOV name
exists in the same shader.
* Fix viewing single channel images in the image editor [T83314]
* Reduce viewport render time by only render needed draw passes. [T83316]
Reviewed By: Brecht van Lommel, Clément Foucault
Differential Revision: https://developer.blender.org/D7010
This adds a new property to the sculpt vertex color paint brush to limit
the area of the brush that is going to be used to sample the wet paint
color. This is exactly the same concept as normal radius and area radius
that exist for sculpting brushes for sampling the surface depth and
orientation.
When working near color hard edges, this allows to prevent the color
from the other side of the edge to blend into the wet paint.
With 1.0 (the previous default) wet paint radius, as soon as the brush touches
one vertex of the other color, the wet paint mix color changes, making it
impossible to maintain the border between the two colors.
Reviewed By: sergey, dbystedt, JulienKaspar
Differential Revision: https://developer.blender.org/D9587
These operators existed since 2.83, but the menu was hidden by error.
Also the operators have been cleanup and make multiframe compatible.
Reviewed By: mendio
Differential Revision: https://developer.blender.org/D9671
Add Custom Space to the list of space conversions for constraints.
Constraints can use World Space, Local Space, Pose Space, Local with
Parent, and now also Custom Space with a custom object to define the
evaluation space.
The Custom Space option uses the Local Space of an other
object/bone/vertex group. If selected on owner or target it will show a
box for object selection. If an armature is selected, then it will also
show a box for bone selection. If a mesh object is selected it will show
the option for using the local space of a vertex group.
Reviewed By: #animation_rigging, sybren, Severin, angavrilov
Differential Revision: https://developer.blender.org/D7437
The point cloud object is the only one that will support instancing at
first. So we can expose it as a regular object.
It is limited since it has no edit mode. But this is not different than
the volume object.
