Asset Shelf: Add manual entry #104580
@ -26,7 +26,7 @@ sys.setrecursionlimit(2000)
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# Not used directly by Sphinx, but used by this file and the buildbot.
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blender_version = '4.1'
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blender_version = '4.0'
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# -- Project information -----------------------------------------------------
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|
@ -14,16 +14,20 @@ Clicking the icon toggles all overlays in the 3D Viewport.
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The drop-down button displays a popover with more detailed settings,
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which are described below.
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The available options depend on the mode that the 3D Viewport is in.
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Next to the Viewport Overlays popover could be a second popover.
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The availability of these options depend on the mode the 3D Viewport is in or what type of object is selected.
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These settings are described later on in this page.
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Object Mode
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===========
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General
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=======
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The following options are always present, independent of the current mode.
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Some of the overlays can be customized in the
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:doc:`Viewport Preferences </editors/preferences/viewport>`.
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Guides
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------
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@ -42,23 +46,23 @@ Subdivision
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Text Info
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Show various bits of information in the top left corner of the viewport.
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View Perspective
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Name of the :doc:`View Perspective </editors/3dview/navigate/projections>`,
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such as "Top Orthographic" or "User Perspective."
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Playback Frame Rate (FPS)
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Displays the Frames Per Second at which the animation is playing.
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By default, Blender goes through every single frame, which may result in an FPS that's lower than
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intended (and the animation playing slower than realtime); the FPS turns red in this case.
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You can change this behavior in the Playback popover of the :doc:`Timeline </editors/timeline>`.
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Object Info
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Shows the current frame in parentheses, followed by the names of the selected
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:doc:`Collection </scene_layout/collections/index>` and the :ref:`active object <object-active>`.
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When applicable, also shows the selected :doc:`Shape Key </animation/shape_keys/introduction>`
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and (in angle brackets) the :doc:`Marker </animation/markers>` on the current frame.
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If the object has a keyframe on the current frame, the Object Info is displayed in yellow.
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Grid Resolution
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When the view is aligned to a world axis (see :doc:`/editors/3dview/navigate/viewpoint`),
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the Text Info additionally shows the smallest distance between two parallel grid lines.
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- **View Perspective** --
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Name of the :doc:`View Perspective </editors/3dview/navigate/projections>`,
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such as "Top Orthographic" or "User Perspective."
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- **Playback Frame Rate (FPS)** --
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Displays the Frames Per Second at which the animation is playing.
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By default, Blender goes through every single frame, which may result in an FPS that's lower than
|
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intended (and the animation playing slower than realtime); the FPS turns red in this case.
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You can change this behavior in the Playback popover of the :doc:`Timeline </editors/timeline>`.
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- **Object Info** --
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Shows the current frame in parentheses, followed by the names of the selected
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:doc:`Collection </scene_layout/collections/index>` and the :ref:`active object <object-active>`.
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When applicable, also shows the selected :doc:`Shape Key </animation/shape_keys/introduction>`
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and (in angle brackets) the :doc:`Marker </animation/markers>` on the current frame.
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If the object has a keyframe on the current frame, the Object Info is displayed in yellow.
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- **Grid Resolution** --
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When the view is aligned to a world axis (see :doc:`/editors/3dview/navigate/viewpoint`),
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the Text Info additionally shows the smallest distance between two parallel grid lines.
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Statistics
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Show information about the amount of objects and geometry.
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@ -66,8 +70,8 @@ Statistics
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For example, selecting a mesh gives info on the number of vertices, edges, and faces,
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while selecting a light shows the number of lights in the scene.
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- Objects -- Number of the selected objects and the total count.
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- Geometry -- Displays information about the current scene depending on the mode and object type.
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- **Objects** -- Number of the selected objects and the total count.
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- **Geometry** -- Displays information about the current scene depending on the mode and object type.
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This can be the number of vertices, faces, triangles, or bones.
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HDRI Preview
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@ -160,8 +164,8 @@ Size
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.. _3dview-overlay-mesh_edit_mode:
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Mesh Edit Mode
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==============
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Mesh Edit Mode Overlays
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=======================
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The following options are available when in Mesh Edit Mode.
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@ -252,6 +256,7 @@ Face Angle
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The :doc:`Measure </editors/3dview/toolbar/measure>` tool for measuring
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arbitrary distances and angles.
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.. _mesh-display-normals:
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Normals
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@ -292,8 +297,8 @@ Face Marks
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Display Freestyle face marks.
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Sculpt Mode
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===========
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Sculpt Mode Overlays
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====================
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Mask
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Show :ref:`Masks <sculpt-mask-menu>` as overlays on an object. The opacity of the overlay can be adjusted.
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@ -302,8 +307,8 @@ Face Sets
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The opacity of the overlay can be adjusted.
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Vertex Paint
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============
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Vertex Paint Overlays
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=====================
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.. _bpy.types.View3DOverlay.vertex_paint_mode_opacity:
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@ -313,8 +318,8 @@ Show Wire
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Display mesh edges in white (unlike the *Wireframe* overlay which shows them in black).
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Weight Paint
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============
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Weight Paint Overlays
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=====================
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Opacity
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The opacity of the overlay.
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@ -322,12 +327,9 @@ Zero Weights
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Display unreferenced and zero-weighted areas in black.
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This helps to identify areas with very low weights that have been painted onto.
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None
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Vertices are displayed in the usual way.
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Active
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Vertices are shown in black if they have no weight in the active vertex group.
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All
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Vertices are shown in black if they have no weight in any vertex group.
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:None: Vertices are displayed in the usual way.
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:Active: Vertices are shown in black if they have no weight in the active vertex group.
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:All: Vertices are shown in black if they have no weight in any vertex group.
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Show Weight Contours
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Show contour lines formed by points with the same interpolated weight.
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@ -339,8 +341,8 @@ Show Wire
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Display mesh edges in white (unlike the *Wireframe* overlay which shows them in black).
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Texture Paint
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=============
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Texture Paint Overlays
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======================
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.. _bpy.types.View3DOverlay.texture_paint_mode_opacity:
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@ -348,8 +350,8 @@ Stencil Mask Opacity
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Opacity of the :doc:`stencil mask </sculpt_paint/texture_paint/tool_settings/mask>` overlay.
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Bones
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=====
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Pose Mode Overlays
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==================
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Fade Geometry
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Show the bones on top and face other geometry to the back.
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@ -360,8 +362,7 @@ Bone Wireframe Opacity
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The maximum opacity used for bones drawn in the *Wireframe*
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:doc:`shading mode </editors/3dview/display/shading>`
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(or in *Solid* shading mode with X-Ray active).
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This is helpful when it is necessary to reduce clutter and focus on
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the mesh rather than bones.
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This is helpful when it is necessary to reduce clutter and focus on the mesh rather than bones.
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.. _3dview-overlay-grease-pencil:
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@ -369,6 +370,8 @@ Bone Wireframe Opacity
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Grease Pencil
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=============
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These overlays are available when a :doc:`/grease_pencil/index` object is selected.
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Onion Skin
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Show ghosts of the keyframes before and after the current frame.
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If :doc:`Multiframe </grease_pencil/multiframe>` is enabled,
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@ -387,6 +390,7 @@ Fade Inactive Objects
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Fade Grease Pencil Objects
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Include or exclude Grease Pencil objects.
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Edit Lines
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Show edit lines in Edit Mode.
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Only in Multiframe
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|
@ -225,12 +225,14 @@ The region is divided into separate panels each containing a :ref:`UI List <ui-l
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Clicking on one of the directories will immediately navigate to that folder.
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.. _bpy.types.SpaceFileBrowser.system_folders:
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.. _bpy.types.SpaceFileBrowser.bookmarks:
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Volumes
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^^^^^^^
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Bookmarks
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^^^^^^^^^
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Contains all OS-defined available volumes, e.g. drives or network mounts.
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Contains folders that you want to be able to access often without having to navigate to them in the File Browser.
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To the right of that list are buttons to perform basic management actions on your bookmarks,
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e.g. add/remove an entry, move it up or down in the list, etc.
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.. _bpy.types.SpaceFileBrowser.system_bookmarks:
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@ -241,14 +243,12 @@ System
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Contains OS-defined common directories, like the main user folder...
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.. _bpy.types.SpaceFileBrowser.bookmarks:
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.. _bpy.types.SpaceFileBrowser.system_folders:
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Bookmarks
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^^^^^^^^^
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Volumes
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^^^^^^^
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Contains folders that you want to be able to access often without having to navigate to them in the File Browser.
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To the right of that list are buttons to perform basic management actions on your bookmarks,
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e.g. add/remove an entry, move it up or down in the list, etc.
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Contains all OS-defined available volumes, e.g. drives or network mounts.
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.. _bpy.types.SpaceFileBrowser.recent_folders:
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|
@ -410,7 +410,7 @@ Blend to Default Value
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.. reference::
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:Menu: :menuselection:`Key --> Blend --> Blend to Neighbor`
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:Menu: :menuselection:`Key --> Blend --> Blend to Default Value`
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Transitions the current keyframe towards the property's default value.
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To use this operator, drag the mouse left or right to adjust the operator's *Blend* property.
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@ -514,7 +514,7 @@ Direction
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.. _bpy.ops.graph.scale_average:
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Scale Average
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=============
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-------------
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.. reference::
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@ -530,7 +530,7 @@ Factor
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.. _bpy.ops.graph.push_pull:
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Push Pull
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=========
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---------
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.. reference::
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@ -545,7 +545,7 @@ Factor
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.. _bpy.ops.graph.time_offset:
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Time Offset
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===========
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-----------
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.. reference::
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|
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manual/images/node-types_ShaderNodeBsdfHairPrincipled.webp
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@ -23,9 +23,8 @@ Geometry nodes can modify different types of geometry:
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* :doc:`Volumes </modeling/volumes/introduction>`
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* :doc:`Instances </modeling/geometry_nodes/instances>`
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The interface of the modifier is described in the
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:doc:`Modifier </modeling/modifiers/generate/geometry_nodes>` page.
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To expand Blender with node-group operators see the description in the
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:doc:`Operators </modeling/geometry_nodes/operators>` page.
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:doc:`/modeling/geometry_nodes/tools` page.
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|
@ -1,9 +1,9 @@
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.. index:: Geometry Nodes; Tools
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.. _bpy.types.GeometryNode:
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################
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Node-based Tools
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################
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****************
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Node-Based Tools
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****************
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Geometry Nodes can be used to expand the core functionality of Blender via node group defined tools.
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They can be shared as any regular node group assets.
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@ -13,6 +13,7 @@ They can be shared as any regular node group assets.
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Node group tools integrated in the Selection menu.
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Tool Context
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============
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@ -25,6 +26,7 @@ them as Assets if they want to share them.
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The :doc:`Inspection </modeling/geometry_nodes/inspection>` features are not supported on this context: Viewer Node and Socket Inspection.
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Asset
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=====
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@ -36,16 +38,19 @@ The asset options need to be set on the :doc:`Asset Browser </editors/asset_brow
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The catalog is used to determined in which menu the tool is available. Assets that have no catalog assigned to them, or local tools
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are exposed in the Unassigned menu.
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Tool Settings
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=============
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The node group inputs will be exposed as in the :doc:`Adjust Last Operation </interface/undo_redo>` panel.
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Supported Modes and Data-Types
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==============================
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Tools are only possible for Edit and Sculpting mode, for Mesh and Curve objects.
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Tool-specific Nodes
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===================
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@ -62,6 +67,7 @@ The following nodes are only supported in the tool context:
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The :doc:`Self Object </modeling/geometry_nodes/input/scene/self_object>` node returns the Active object
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when inside a Tool node group.
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Non-supported Nodes
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===================
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|
@ -28,7 +28,7 @@ use guiding in the simulation.
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.. _bpy.types.FluidDomainSettings.guide_alpha:
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Velocity Factor
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Weight
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Controls the lag of the guiding. A larger value (also known as the 'alpha' guiding value)
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results in a greater lag.
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|
@ -38,9 +38,9 @@ Distribution
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Microfacet distribution to use.
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:GGX: GGX microfacet distribution.
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:Multiscatter GGX: :guilabel:`Cycles Only`
|
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GGX with additional correction to account for multiple scattering,
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preserve energy and prevent unexpected darkening at high roughness.
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:Multiscatter GGX:
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Takes multiple scattering events between microfacets into account.
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This gives more energy conserving results, which would otherwise be visible as excessive darkening.
|
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:Beckmann: :guilabel:`Cycles Only`
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Beckmann microfacet distribution.
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|
@ -53,14 +53,12 @@ Properties
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Distribution
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Microfacet distribution to use.
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|
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:GGX: GGX microfacet distribution.
|
||||
:Multiscatter GGX:
|
||||
Takes multiple scattering events between microfacets into account.
|
||||
This gives more energy conserving results, which would otherwise be visible as excessive darkening.
|
||||
:Beckmann: :guilabel:`Cycles Only`
|
||||
Beckmann microfacet distribution.
|
||||
:GGX: GGX microfacet distribution.
|
||||
:Ashikhmin-Shirley: :guilabel:`Cycles Only`
|
||||
Ashikhmin-Shirley microfacet distribution.
|
||||
:Multiscatter GGX: :guilabel:`Cycles Only`
|
||||
GGX with additional correction to account for multiple scattering,
|
||||
preserve energy and prevent unexpected darkening at high roughness.
|
||||
|
||||
|
||||
Outputs
|
||||
|
@ -24,6 +24,9 @@ easy-to-use shader for rendering hair and fur.
|
||||
Inputs
|
||||
======
|
||||
|
||||
Common
|
||||
------
|
||||
|
||||
Color
|
||||
The RGB color of the strand. Only used in Direct coloring.
|
||||
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||||
@ -103,40 +106,6 @@ Tint
|
||||
|
||||
Absorption Coefficient
|
||||
Attenuation coefficient :math:`\sigma`.
|
||||
Roughness
|
||||
Specify how much the glints are smoothed in the direction of the hair shaft.
|
||||
Too low values will smoothen the hair to the point of looking almost metallic,
|
||||
making glints look like :term:`Fireflies`; while setting it too high will result in a Lambertian look.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-roughness.jpg
|
||||
:align: center
|
||||
|
||||
Roughness.
|
||||
|
||||
Radial Roughness
|
||||
Specify how much the glints are smoothed in the direction of the hair normal.
|
||||
Too low values will concentrate the glint;
|
||||
while setting it too high will spread the light across the width of the strand.
|
||||
|
||||
.. hint::
|
||||
|
||||
Mathematically, this parameter is mapped to the logistic distribution's
|
||||
scale factor :math:`s` (section 4.1 of [CBTB16]_).
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-radial-roughness.jpg
|
||||
:align: center
|
||||
|
||||
Radial Roughness.
|
||||
|
||||
Coat
|
||||
Simulate a shiny coat of fur, by reducing the Roughness to the given factor
|
||||
only for the first light bounce (diffuse).
|
||||
Range :math:`[0, 1]` equivalent to a reduction of :math:`[0\%, 100\%]` of the original Roughness.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-coat.jpg
|
||||
:align: center
|
||||
|
||||
Coat.
|
||||
|
||||
IOR
|
||||
Index of refraction (:term:`IOR`) defining how much the ray changes direction.
|
||||
@ -181,6 +150,76 @@ Random
|
||||
instanced with the value obtained from :menuselection:`Hair Info --> Random`.
|
||||
|
||||
|
||||
Chiang Model
|
||||
------------
|
||||
|
||||
The Chiang model is based on a Gaussian distribution with separate roughness
|
||||
along and orthogonal to the hair.
|
||||
|
||||
Roughness
|
||||
Specify how much the glints are smoothed in the direction of the hair shaft.
|
||||
Too low values will smoothen the hair to the point of looking almost metallic,
|
||||
making glints look like :term:`Fireflies`; while setting it too high will result in a Lambertian look.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-roughness.jpg
|
||||
:align: center
|
||||
|
||||
Roughness.
|
||||
|
||||
Radial Roughness
|
||||
Specify how much the glints are smoothed in the direction of the hair normal.
|
||||
Too low values will concentrate the glint;
|
||||
while setting it too high will spread the light across the width of the strand.
|
||||
|
||||
.. hint::
|
||||
|
||||
Mathematically, this parameter is mapped to the logistic distribution's
|
||||
scale factor :math:`s` (section 4.1 of [CBTB16]_).
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-radial-roughness.jpg
|
||||
:align: center
|
||||
|
||||
Radial Roughness.
|
||||
|
||||
Coat
|
||||
Simulate a shiny coat of fur, by reducing the Roughness to the given factor
|
||||
only for the first light bounce (diffuse).
|
||||
Range :math:`[0, 1]` equivalent to a reduction of :math:`[0\%, 100\%]` of the original Roughness.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_hair-principled_demo-coat.jpg
|
||||
:align: center
|
||||
|
||||
Coat.
|
||||
|
||||
|
||||
Huang Model
|
||||
-----------
|
||||
|
||||
The Huang model is based on microfacet based reflection and transmission,
|
||||
and supports elliptically shaped hair.
|
||||
|
||||
Aspect Ratio
|
||||
The ratio of the minor axis to the major axis of an elliptical cross-section.
|
||||
Recommended values are 0.8~1 for Asian hair, 0.65~0.9 for Caucasian hair, 0.5~0.65 for
|
||||
African hair. The major axis is aligned with the curve normal, which can be created
|
||||
with geometry nodes, but is not supported in legacy particle hair.
|
||||
|
||||
Roughness
|
||||
Microfacet roughness for reflection and transmission.
|
||||
|
||||
Reflection
|
||||
Optional factor for modulating the first light bounce off the hair surface.
|
||||
The color of this component is always white. Keep this 1.0 for physical correctness.
|
||||
Transmission
|
||||
Optional factor for modulating the transmission component. Picks up the color of the
|
||||
pigment inside the hair. Keep this 1.0 for physical correctness.
|
||||
Secondary Reflection
|
||||
Optional factor for modulating the component which is transmitted into the hair,
|
||||
reflected off the backside of the hair and then transmitted out of the hair. This
|
||||
component is oriented approximately around the incoming direction, and picks up the
|
||||
color of the pigment inside the hair. Keep this 1.0 for physical correctness
|
||||
|
||||
|
||||
Properties
|
||||
==========
|
||||
|
||||
@ -223,8 +262,7 @@ BSDF
|
||||
References
|
||||
==========
|
||||
|
||||
This shader is an implementation of the paper by Chiang et al. [CBTB16]_,
|
||||
which was used in the Disney film, "Zootopia"\ :sup:`®`.
|
||||
This shader is an implementation of the papers by Chiang et al. [CBTB16]_ and Huang et al. [HHH22]_.
|
||||
|
||||
.. [CBTB16] Chiang, M. J. , Bitterli, B. , Tappan, C. and Burley, B. (2016),
|
||||
A Practical and Controllable Hair and Fur Model for Production Path Tracing. Computer Graphics Forum, 35: 275-283.
|
||||
@ -233,3 +271,9 @@ which was used in the Disney film, "Zootopia"\ :sup:`®`.
|
||||
.. [EFHLA11] d'Eon, E. , Francois, G. , Hill, M. , Letteri, J. and Aubry, J. (2011),
|
||||
An Energy‐Conserving Hair Reflectance Model. Computer Graphics Forum, 30: 1181-1187.
|
||||
`doi:10.1111/j.1467-8659.2011.01976.x <https://doi.org/10.1111/j.1467-8659.2011.01976.x>`__
|
||||
|
||||
.. [HHH22] Huang W., Hullin M.B. Hanika J. (2022)
|
||||
A Microfacet-based Hair Scattering Model. Computer Graphics Forum, 41: 79-91.
|
||||
`doi:10.1111/cgf.14588 <https://doi.org/10.1111/cgf.14588>`__
|
||||
|
||||
|
||||
|
@ -10,39 +10,49 @@ Principled BSDF
|
||||
|
||||
The *Principled* :abbr:`BSDF (Bidirectional Scattering Distribution Function)`
|
||||
that combines multiple layers into a single easy to use node.
|
||||
It is based on the Disney principled model also known as the "PBR" shader,
|
||||
making it compatible with other software such as Pixar's Renderman\ :sup:`®`
|
||||
and Unreal Engine\ :sup:`®`. Image textures painted or baked from
|
||||
software like Substance Painter\ :sup:`®` may be directly linked to
|
||||
the corresponding parameters in this shader.
|
||||
It can model a wide variety of materials.
|
||||
|
||||
This "Uber" shader includes multiple layers to create a wide variety of materials.
|
||||
The base layer is a user controlled mix between diffuse, metal,
|
||||
subsurface scattering and transmission.
|
||||
On top of that there is a specular layer, sheen layer and clearcoat layer.
|
||||
It is based on OpenPBR Surface shading model, and provides parameters
|
||||
compatible with similar PBR shaders found in other software,
|
||||
such as the Disney and Standard Surface models.
|
||||
Image textures painted or baked from software like Substance Painter
|
||||
may be directly linked to the corresponding parameters in this shader.
|
||||
|
||||
.. note::
|
||||
|
||||
The emphasis on compatibility with other software means that it interprets
|
||||
certain input parameters differently from older Blender nodes.
|
||||
Layers and Components
|
||||
=====================
|
||||
|
||||
The base layer is a mix between metal, diffuse, subsurface, and transmission components.
|
||||
Most materials will use one of these components, though it is possible to smoothly mix
|
||||
between them.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_principled_layers.svg
|
||||
|
||||
The metal component is opaque and only reflect lights. Diffuse and subsurface components
|
||||
have a specular layer. Diffuse is fully opaque, while subsurface also involves light
|
||||
scattering just below the surface. Both sit below a specular layer. The transmission
|
||||
component includes both specular reflection and refraction.
|
||||
|
||||
On top of all base layers there is an optional glossy coat. And finally the sheen layer
|
||||
sits on top of all other layers, to add fuzz or dust.
|
||||
|
||||
Light emission can also be added. This is below the coat and sheen layers, to model
|
||||
for example emissive displays with a coat or dust.
|
||||
|
||||
Inputs
|
||||
======
|
||||
|
||||
Base Color
|
||||
Diffuse or metal surface color.
|
||||
Overall color of the material used for diffuse, subsurface, metal and transmission.
|
||||
Roughness
|
||||
Specifies microfacet roughness of the surface for diffuse and specular reflection.
|
||||
Specifies microfacet roughness of the surface for specular reflection and transmission.
|
||||
Metallic
|
||||
Blends between a non-metallic and metallic material model.
|
||||
Blends between a dielectric and metallic material model.
|
||||
At 0.0 the material consists of a diffuse or transmissive base layer, with a specular reflection layer on top.
|
||||
A value of 1.0 gives a fully specular reflection tinted with the base color,
|
||||
without diffuse reflection or transmission.
|
||||
At 0.0 the material consists of a diffuse or transmissive base layer, with a specular reflection layer on top.
|
||||
IOR
|
||||
Index of refraction for transmission.
|
||||
Transmission
|
||||
Mix between fully opaque surface at zero and fully glass like transmission at one.
|
||||
Index of refraction for specular reflection and transmission.
|
||||
Alpha
|
||||
Controls the transparency of the surface, with 1.0 fully opaque.
|
||||
Usually linked to the Alpha output of an Image Texture node.
|
||||
@ -50,133 +60,148 @@ Normal
|
||||
Controls the normals of the base layers.
|
||||
|
||||
|
||||
Substance
|
||||
---------
|
||||
|
||||
Subsurface
|
||||
Mix between diffuse and subsurface scattering.
|
||||
Rather than being a simple mix between Diffuse and Subsurface Scattering,
|
||||
it acts as a multiplier for the Subsurface Radius.
|
||||
Subsurface Radius
|
||||
----------
|
||||
|
||||
Subsurface scattering is used to render materials such as skin, milk and wax.
|
||||
Light scatters below the surface to create a soft appearance.
|
||||
|
||||
Method
|
||||
Rendering method to simulate subsurface scattering.
|
||||
|
||||
:Christensen-Burley:
|
||||
An approximation to physically-based volume scattering.
|
||||
This method is less accurate than *Random Walk* however,
|
||||
in some situations this method will resolve noise faster.
|
||||
:Random Walk: :guilabel:`Cycles Only`
|
||||
Provides accurate results for thin and curved objects.
|
||||
Random Walk uses true volumetric scattering inside the mesh,
|
||||
which means that it works best for closed meshes.
|
||||
Overlapping faces and holes in the mesh can cause problems.
|
||||
:Random Walk (Skin): :guilabel:`Cycles Only`
|
||||
Random walk method optimized for skin rendering, with
|
||||
radius automatically adjusted based on color and subsurface
|
||||
entry direction using mix of diffuse and custom IOR. It
|
||||
tends to retain greater surface detail and color.
|
||||
|
||||
Weight
|
||||
Blend between diffuse surface and subsurface scattering.
|
||||
Typically should be zero or one (either fully diffuse or subsurface)
|
||||
Radius
|
||||
Average distance that light scatters below the surface.
|
||||
Higher radius gives a softer appearance, as light bleeds into shadows and through the object.
|
||||
The scattering distance is specified separately for the RGB channels,
|
||||
to render materials such as skin where red light scatters deeper.
|
||||
The X, Y and Z values are mapped to the R, G and B values, respectively.
|
||||
Subsurface Color
|
||||
Subsurface scattering base color.
|
||||
Subsurface IOR :guilabel:`Cycles Only`
|
||||
Index of refraction for *Subsurface Scattering*.
|
||||
Subsurface Anisotropy :guilabel:`Cycles Only`
|
||||
Controls the directionality of subsurface scattering.
|
||||
Scale
|
||||
Scale applied to the radius.
|
||||
IOR :guilabel:`Cycles Only`
|
||||
Index of refraction used for rays that enter the subsurface component. This may be set to
|
||||
a different value than the global IOR to simulate different layers of skin.
|
||||
Anisotropy :guilabel:`Cycles Only`
|
||||
Directionanltiy of volume scattering within the subsurface medium. Zero scatters uniformly
|
||||
in all directories, with higher values scattering more strongly forward.
|
||||
For example skin has been measure to have an anisotropy of 0.8.
|
||||
|
||||
|
||||
Specular
|
||||
--------
|
||||
|
||||
Specular
|
||||
Amount of dielectric specular reflection. Specifies facing (along normal)
|
||||
reflectivity in the most common 0 - 8% range.
|
||||
|
||||
.. hint::
|
||||
|
||||
To compute this value for a realistic material with a known index of
|
||||
refraction, you may use this special case of the Fresnel formula:
|
||||
:math:`specular = ((ior - 1)/(ior + 1))^2 / 0.08`
|
||||
|
||||
For example:
|
||||
|
||||
- water: ior = 1.33, specular = 0.25
|
||||
- glass: ior = 1.5, specular = 0.5
|
||||
- diamond: ior = 2.417, specular = 2.15
|
||||
|
||||
Since materials with reflectivity above 8% do exist, the field allows values above 1.
|
||||
|
||||
Specular Tint
|
||||
Tints the facing specular reflection using the base color, while glancing reflection remains white.
|
||||
|
||||
Normal dielectrics have colorless reflection, so this parameter is not technically physically correct
|
||||
and is provided for faking the appearance of materials with complex surface structure.
|
||||
Anisotropic :guilabel:`Cycles Only`
|
||||
Amount of anisotropy for specular reflection. Higher values give elongated highlights along the tangent direction;
|
||||
negative values give highlights shaped perpendicular to the tangent direction.
|
||||
Anisotropic Rotation :guilabel:`Cycles Only`
|
||||
Rotates the direction of anisotropy, with 1.0 going full circle.
|
||||
|
||||
.. hint::
|
||||
|
||||
Compared to the *Anisotropic BSDF* node, the direction of highlight elongation
|
||||
is rotated by 90°. Add 0.25 to the value to correct.
|
||||
|
||||
Tangent
|
||||
Controls the tangent for the *Anisotropic* layer.
|
||||
|
||||
|
||||
Coat
|
||||
----
|
||||
|
||||
Clearcoat
|
||||
Extra white specular layer on top of others.
|
||||
This is useful for materials like car paint and the like.
|
||||
Clearcoat Roughness:
|
||||
Roughness of clearcoat specular.
|
||||
Clearcoat Normal
|
||||
Controls the normals of the *Clearcoat* layer.
|
||||
|
||||
|
||||
Sheen
|
||||
-----
|
||||
|
||||
Sheen
|
||||
Amount of soft velvet like reflection near edges, for simulating materials such as cloth.
|
||||
Sheen Roughness
|
||||
Controls the amount of color that is reflected back to the camera,
|
||||
higher values reflect more color and can give a dusty appearance, while lower values look fuzzy and darker.
|
||||
Sheen Tint
|
||||
The color of the sheen reflection.
|
||||
|
||||
|
||||
Emission
|
||||
--------
|
||||
|
||||
Emission
|
||||
Light emission from the surface, like the Emission shader.
|
||||
Emission Strength
|
||||
Strength of the emitted light. A value of 1.0 will ensure that the object
|
||||
in the image has the exact same color as the *Emission Color*, i.e. make it 'shadeless'.
|
||||
|
||||
|
||||
Properties
|
||||
==========
|
||||
Controls for both the metallic component and specular layer on top of diffuse and subsurface.
|
||||
|
||||
Distribution
|
||||
Microfacet distribution to use.
|
||||
|
||||
:GGX:
|
||||
A method that is faster than *Multiple-scattering GGX* but is less physically accurate.
|
||||
:Multiscatter GGX: :guilabel:`Cycles Only`
|
||||
GGX with additional correction to account for multiple scattering,
|
||||
preserve energy and prevent unexpected darkening at high roughness.
|
||||
:Multiscatter GGX:
|
||||
Takes multiple scattering events between microfacets into account.
|
||||
This gives more energy conserving results,
|
||||
which would otherwise be visible as excessive darkening.
|
||||
|
||||
Subsurface Method
|
||||
Rendering method to simulate subsurface scattering.
|
||||
IOR Level
|
||||
Adjustment to the IOR to increase or decrease intensity of the specular layer.
|
||||
0.5 means no adjustment, 0 removes all reflections, 1 doubles them at normal incidence.
|
||||
|
||||
.. note:: EEVEE does not support the *Random Walk* methods.
|
||||
This input is designed for conveniently texturing the IOR and amount of specular
|
||||
reflection.
|
||||
|
||||
:Christensen-Burley:
|
||||
An approximation to physically-based volume scattering.
|
||||
This method is less accurate than *Random Walk* however,
|
||||
in some situations this method will resolve noise faster.
|
||||
:Random Walk (Fixed Radius):
|
||||
Provides accurate results for thin and curved objects.
|
||||
Random Walk uses true volumetric scattering inside the mesh,
|
||||
which means that it works best for closed meshes.
|
||||
Overlapping faces and holes in the mesh can cause problems.
|
||||
:Random Walk:
|
||||
Behaves similarly to *Random Walk (Fixed Radius)* but modulates
|
||||
the *Subsurface Radius* based on the *Color*, *Subsurface Anisotropy*, and *Subsurface IOR*.
|
||||
This method thereby attempts to retain greater surface detail and color
|
||||
than *Random Walk (Fixed Radius)*.
|
||||
Tint
|
||||
Color tint for specular and metallic reflection.
|
||||
|
||||
For non-metallic tints provides artistic control over the color specular reflections at normal incidence,
|
||||
while grazing reflections remain white. In reality non-metallic specular reflection is fully white.
|
||||
|
||||
For metallic materials tints the edges to simulate complex IOR as found in materials such as gold or copper.
|
||||
|
||||
Anisotropic :guilabel:`Cycles Only`
|
||||
Amount of anisotropy for specular reflection. Higher values give elongated highlights along the tangent direction;
|
||||
negative values give highlights shaped perpendicular to the tangent direction.
|
||||
Anisotropic Rotation :guilabel:`Cycles Only`
|
||||
Rotates the direction of anisotropy, with 1.0 going full circle.
|
||||
|
||||
Compared to the *Anisotropic BSDF* node, the direction of highlight elongation
|
||||
is rotated by 90°. Add 0.25 to the value to correct.
|
||||
|
||||
Tangent
|
||||
Controls the tangent for the *Anisotropic* layer.
|
||||
|
||||
|
||||
Transmission
|
||||
------------
|
||||
|
||||
Transmission is used to render materials like glass and liquids, where the surface both
|
||||
reflects light and transmits it into the interior of the object
|
||||
|
||||
Weight
|
||||
Mix between fully opaque surface at zero and fully transmissive at one.
|
||||
|
||||
Coat
|
||||
----
|
||||
|
||||
Coat on top of the materials, to simulate for example a clearcoat, lacquer or car paint.
|
||||
|
||||
Weight
|
||||
Controls the intensity of the coat layer, both the reflection and the tinting.
|
||||
Typically should be zero or one for physically-based materials, but may be textured
|
||||
to vary the amount of coating across the surface.
|
||||
Roughness
|
||||
Roughness of the coat layer.
|
||||
IOR
|
||||
Index of refraction of the coat layer. Affects its reflectivity as well as the falloff of coat tinting.
|
||||
Tint
|
||||
Adds a colored tint to the coat layer by modeling absorption in the layer.
|
||||
Saturation increases at shallower angles, as the light travels farther
|
||||
through the medium, depending on the IOR.
|
||||
Normal
|
||||
Controls the normals of the *Coat* layer, for example to add a smooth coating on a rough surface.
|
||||
|
||||
|
||||
Sheen
|
||||
-----
|
||||
|
||||
Sheen simulates very small fibers on the surface.
|
||||
For cloth this adds a soft velvet like reflection near edges.
|
||||
It can also be used to simulate dust on arbitrary materials.
|
||||
|
||||
Weight
|
||||
Controls in the intensity of the sheen layer.
|
||||
Roughness
|
||||
Roughness of the sheen reflection.
|
||||
Tint
|
||||
The color of the sheen reflection.
|
||||
|
||||
|
||||
Emission
|
||||
--------
|
||||
|
||||
Light emission from the surface.
|
||||
|
||||
Color
|
||||
Color of light emission from the surface.
|
||||
Strength
|
||||
Strength of the emitted light. A value of 1.0 will ensure that the object
|
||||
in the image has the exact same color as the *Emission Color*, i.e. make it 'shadeless'.
|
||||
|
||||
|
||||
Outputs
|
||||
@ -184,13 +209,3 @@ Outputs
|
||||
|
||||
BSDF
|
||||
Standard shader output.
|
||||
|
||||
|
||||
Examples
|
||||
========
|
||||
|
||||
Below are some examples of how all the Principled BSDF's parameters interact with each other.
|
||||
|
||||
.. figure:: /images/render_shader-nodes_shader_principled_example-1a.jpg
|
||||
.. figure:: /images/render_shader-nodes_shader_principled_example-2a.jpg
|
||||
.. figure:: /images/render_shader-nodes_shader_principled_example-2b.jpg
|
||||
|
@ -31,11 +31,8 @@ Properties
|
||||
==========
|
||||
|
||||
Distribution
|
||||
Microfacet distribution to use.
|
||||
|
||||
:GGX: GGX microfacet distribution.
|
||||
:Beckmann: :guilabel:`Cycles Only`
|
||||
Beckmann microfacet distribution.
|
||||
Microfacet distribution to use. *Sharp* results in perfectly sharp refractions,
|
||||
while *Beckmann* and *GGX* can use the *Roughness* input for blurry refractions.
|
||||
|
||||
|
||||
Outputs
|
||||
|
@ -1,6 +1,7 @@
|
||||
import bpy
|
||||
from dataclasses import dataclass
|
||||
from itertools import islice
|
||||
from pathlib import Path
|
||||
|
||||
|
||||
@dataclass
|
||||
@ -92,8 +93,9 @@ class MakeScreenshotsOperator(bpy.types.Operator):
|
||||
return {'RUNNING_MODAL'}
|
||||
|
||||
def modal(self, context, event):
|
||||
temp_path = f"/home/jacques/Downloads/temp.png"
|
||||
filepath = f"/home/jacques/Downloads/node-types_{self.current_name}.png"
|
||||
base_path = Path.home() / "Downloads" / "node_screenshots"
|
||||
temp_path = str(base_path / "temp.png")
|
||||
filepath = str(base_path / f"node-types_{self.current_name}.png")
|
||||
bpy.ops.screen.screenshot_area(filepath=temp_path)
|
||||
|
||||
rect = node_region_rect(context.region, self.current_node)
|
||||
|
@ -188,7 +188,7 @@ if __name__ == "__main__":
|
||||
manual_skip_msg = manual_update(args)
|
||||
if manual_skip_msg:
|
||||
manual_skip_msg = "Manual repository skipped: " + manual_skip_msg + "\n"
|
||||
if not args.no_locale:
|
||||
if not args.no_locale and os.path.exists(locale_dir):
|
||||
locale_skip_msg = git_update_skip(args, locale_dir)
|
||||
if not locale_skip_msg:
|
||||
locale_skip_msg = locale_update(args)
|
||||
|
Loading…
Reference in New Issue
Block a user