Some curve objects don't have an evaluated mesh at all, but line art
currently assumes that all curve objects have one before converting
it to a mesh internally. Fix this by checking if the curve object has an
evaluated mesh before skipping it.
The remaining problem is that evalauted from non-mesh objects or
evaluated curves from non-curve objects, etc. will be ignored if
"Allow Duplicates" is off. That's a different problem though.
Differential Revision: https://developer.blender.org/D14036
When enabled, it will keep contour around the object instead of hide them by rule of face mark,
so the object can always have full contour while filtering out some of the feature lines inside certain regions.
Reviewed By: Antonio Vazquez (antoniov), Aleš Jelovčan (frogstomp)
Differential Revision: https://developer.blender.org/D13847
Option to discard back faced triangles, this speeds up calculation especially for when you only want to show visible feature lines.
Reviewed By: Antonio Vazquez (antoniov), Aleš Jelovčan (frogstomp)
Differential Revision: https://developer.blender.org/D13848
Instead of splitting it at each occlusion change, it tolerates short segments of "zig-zag" occlusion incoherence and doesn't split the chain at these points, thus creating a much smoother result.
Reviewed By: Antonio Vazquez (antoniov), Aleš Jelovčan (frogstomp)
Differential Revision: https://developer.blender.org/D13851
Allows conveniently selecting an inverse of a collection.
Reviewed By: Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D13846
The logic used to be:
"if collection doesn't have child collection, check if ob is from this one"
The correct logic should be:
"if collection child does not have this ob, then check this collection".
When the material is used in several objects, the filter by material is not working as expected because the internal pointers are different due eval version.
Now, the original version of the material is compared to keep same address.
The edge is linked twice from differen calls during line art calculation
Probably caused by a merge and both calls stayed for some reason.
This would lead to edge link overflowing its limit of 2^16 items.
This patch adds a randomize factor for the start/end lengths in the Length modifier.
Reviewed By: #grease_pencil, antoniov, pepeland, HooglyBoogly
Differential Revision: https://developer.blender.org/D12928
his new modifier is equals to the existing mesh modifier but adapted to grease pencil.
The underlying functions used to calculate the shrink are the same used in meshes.
{F11794101}
Reviewed By: pepeland, HooglyBoogly
Differential Revision: https://developer.blender.org/D13192
Alternative to D13291 (description partially copied from there).
New drag & drop reordering code would call constraints reordering
operator with the generic context, and not the one from the panel's
layout. missing the "constraint" member which is mandatory for poll
function to properly deal with override vs. local constraints.
For this to work in a decent way, there needs to be some panel-wide
context that we can restore when executing callbacks outside of the
normal draw context. So similar to uiLayoutSetContextPointer() to set
context on a layout level, this introduces
UI_panel_context_pointer_set() for panel level context (this calls the
former for the current panel root layout as well).
Differential Revision: https://developer.blender.org/D13308
This patch includes:
View vector fix for ortho back face.
Point on segment logic correction.
Better handling of boundary cases.
See review page for detailed description.
Reviewed By: Sebastian Parborg (zeddb)
Differential Revision: https://developer.blender.org/D13143
This patch includes:
View vector fix for ortho back face.
Point on segment logic correction.
Better handling of boundary cases.
See review page for detailed description.
Reviewed By: Sebastian Parborg (zeddb)
Differential Revision: https://developer.blender.org/D13143
When use Invert option, the weight must be inverted not omitted. This change invert the value if the point had assigned weight to get the right result.
This option allows the edge to end right at the border
instead of extending beyond.
Useful when having multiple camera setup where you
want the border to be clean.
Also moved overscan option down inside "Composition" sub panel
so it makes more sense.
Reviewed By: Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D12126
Allows line art camera to be different from scene active camera,
useful when baking multiple shots in different angle as
well as for motion graphics effect.
Reviewed By: Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D12047
Allows the user to turn off in_front option for grease pencil object
and offset strokes towards camera to allow depth interaction of the
rest of the scene.
Reviewed By: Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D12046
Back in Blender 2.30, the GUI project brought panels into Blender among other important visual updates.
For the first time it was possible to move the wall of buttons around. Providing a clear separation
between sections (it even allowed the grouping of panels in tabs!)
During the 2.5 redesign, the separation between panels became a line on top of each panel, and panels received
theme settings for background and header colors. The default theme used the same color for both.
In 2.8 the background color of panels was different from headers in the default theme, so the separator
line was removed. While the separator line wasn't elegant (only on top, non-themeable, hard-coded emboss effect),
it provided a sort of separation between panels.
This patch solves the panels-separation by simply adding a margin space around them (not visible in default theme yet).
Even though the margin reduces the width of the working area slightly, it makes room for the upcoming always-visible scrollbars.
Other adjustments:
* Use arrow icon instead of triangle to collapse/expand
* Use rounded corners to match the rest of the UI (editor corners, nodes, etc).
{F10953929, size=full}
Margin on panels makes use of the `style->panelouter` property that hasn't been
used in a while. Also slight tweaks to `boxspace` and `templatespace` style properties so they
are multiples of 2 and operations on them round better.
There is technically no need to update the themes for them to work, so no theme changes are included in this patch.
{F10953931, size=full}
{F10953933, size=full}
{F10953934, size=full}
{F10954003, size=full}
----
A new theme setting under Style controls the roundness of all panels (added it to Style instead of ThemeSpace because I think controlling the panel roundness per editor is a bit overkill):
{F11091561, size=full, autoplay, loop}
Reviewed By: HooglyBoogly
Differential Revision: https://developer.blender.org/D12814
This is caused by line art loading curve objects twice from curve and converted mesh instances (when instance option is on). Now only load mesh when instance option is on.
smooth out jaggy lines with a given threshold. For each point in a stroke, the ones with in a given distance of its previous segment will be removed,
thus "zig-zag" artefacts can be cleaned up.
Reviewed By: Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D12050
In meshes modifer the Lowest is 0 and Highest is 1.0 and this was working inverted for grease pencil. Now, it works equals to meshes modifier.
Also changed the tooltip to keep consistency with meshes modifier.
The old modifier had two modes, but it is better to keep separated as meshes.
The UI has changed to be more consistent, including a new column type of modifiers.
Note: The logic has not changed with the previous version of the modifier, just is a split on two modifiers..
Reviewed By: mendio, pablovazquez
Differential Revision: https://developer.blender.org/D12586
